Artist M-Z

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Artist M-Z

Artists collected M-Z
Collaborative works
Tullis Artists Archives.
Studio photos © Richard Tullis

Directomat 800 ton hydraulic platen press, workhorse of Atelier Richard Tullis.

Directomat 800 ton hydraulic platen press, workhorse of Atelier Richard Tullis.

New York also had a Lake Erie Directomat hydraulic press.

New York also had a Lake Erie Directomat hydraulic press.

Sam Messer transversing the length of the Wagner offset press while making adjustments to huge monoprints. Photo © 1989 Richard Tullis

Sam Messer transversing the length of the Wagner offset press while making adjustments to huge monoprints. Photo © 1989 Richard Tullis

John Millei putting the final touches on his woodcut monoprint with the not so subtile embossed "fucker". Photo: © 1996 Richard Tullis

John Millei putting the final touches on his woodcut monoprint with the not so subtile embossed "fucker". Photo: © 1996 Richard Tullis

The 1000 ton monster Garner had built for the New York studio. Photo: © 1988 Richard Tullis

The 1000 ton monster Garner had built for the New York studio. Photo: © 1988 Richard Tullis

This little workhorse made many of the prints that funded the New York studio. Photo: © 1985 Richard Tullis

This little workhorse made many of the prints that funded the New York studio. Photo: © 1985 Richard Tullis

Lake Erie Directomat hydraulic press embossed plenty of tullis sb hadmade paper 24"x32" and smaller. Photo: © 1985 Richard Tullis

Lake Erie Directomat hydraulic press embossed plenty of tullis sb hadmade paper 24"x32" and smaller. Photo: © 1985 Richard Tullis

Therese Oulton making hr meticulous marks. Photo: © 1988 Richard Tullis

Therese Oulton making hr meticulous marks. Photo: © 1988 Richard Tullis

Lucas Reiner was one of the last projects Richard did in the Santa Barbara studio. Photo: © 2006 Richard Tullis

Lucas Reiner was one of the last projects Richard did in the Santa Barbara studio. Photo: © 2006 Richard Tullis

Carol Robertson working on her precise geometric painting in 2000 at Atelier Richard Tullis

Carol Robertson working on her precise geometric painting in 2000 at Atelier Richard Tullis

David Row micro managing his plate placement before the big roller presses that image into the paper. Photo: © 1990 Richard Tullis

David Row micro managing his plate placement before the big roller presses that image into the paper. Photo: © 1990 Richard Tullis

Italo Scanga was quite a charismatic character to work with and certainly to photograph. Photo: © 1985 Richard Tullis

Italo Scanga was quite a charismatic character to work with and certainly to photograph. Photo: © 1985 Richard Tullis

Emanuele Cacciatore holding steady while Sean Scully assaults his plate with a karate kick, cancelled. Photo: © 1987 Richard Tullis

Emanuele Cacciatore holding steady while Sean Scully assaults his plate with a karate kick, cancelled. Photo: © 1987 Richard Tullis

Carol Seborovski making marks in Santa Barbara. Photo: © 1989 Richard Tullis

Carol Seborovski making marks in Santa Barbara. Photo: © 1989 Richard Tullis

Garner's fascination with old techniques brought to artist in a new way continued with his encaustic painting adventure. Photo: © Richard Tullis

Garner's fascination with old techniques brought to artist in a new way continued with his encaustic painting adventure. Photo: © Richard Tullis

Richard Smith and Ann McLaughlin working on cast colored paper paintings 1981. Photo: © 1981 Richard Tullis

Richard Smith and Ann McLaughlin working on cast colored paper paintings 1981. Photo: © 1981 Richard Tullis

Trevor Sutton paints with precision on jeweler made copper plates during his 1987 session of monoprinting. Photo: © 1997 Richard Tullis

Trevor Sutton paints with precision on jeweler made copper plates during his 1987 session of monoprinting. Photo: © 1997 Richard Tullis

Joan Tanner ever the unconventional actor in the studio, insisted on not using the presses in her last project in the Santa Barbara Tullis studio 2004. Photo: © 2004 Richard Tullis

Joan Tanner ever the unconventional actor in the studio, insisted on not using the presses in her last project in the Santa Barbara Tullis studio 2004. Photo: © 2004 Richard Tullis

William Tucker making monotypes at the Tullis Big Press in Emeryville, Ca. Photo: © 1985 Richard Tullis

William Tucker making monotypes at the Tullis Big Press in Emeryville, Ca. Photo: © 1985 Richard Tullis

Tullis, Garner

Tullis, Garner

Garner Tullis teaching Richard Tullis about paper maceration 1973. Photo: 1973 photographer unknown

Garner Tullis teaching Richard Tullis about paper maceration 1973. Photo: 1973 photographer unknown

SB 800 ton Secret. Photo: © Richard Tullis

SB 800 ton Secret. Photo: © Richard Tullis

The NYC press at Tullis Studio had heated plattens leading to interesting new ideas. Photo: © 1989 Richard Tullis

The NYC press at Tullis Studio had heated plattens leading to interesting new ideas. Photo: © 1989 Richard Tullis

Wiley, William T

Wiley, William T

Verity, Charlotte

Verity, Charlotte

Peter Voulkos working on the Tullis Big Press in Emeryville California after hours 1985. Photo: © 1985 Richard Tullis

Peter Voulkos working on the Tullis Big Press in Emeryville California after hours 1985. Photo: © 1985 Richard Tullis

John Walker slathering on the paint for the next run through the Tullis press in Santa Barbara 1987. Photo: © 1987 Richard Tullis

John Walker slathering on the paint for the next run through the Tullis press in Santa Barbara 1987. Photo: © 1987 Richard Tullis

Lake Erie in NYC 1989. Photo: © 1989
Richard Tullis

Lake Erie in NYC 1989. Photo: © 1989
Richard Tullis

That old Lake Erie crushing feeling 1989. Photo: 1989 Richard Tullis

That old Lake Erie crushing feeling 1989. Photo: 1989 Richard Tullis

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