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RICHARD TULLIS

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Artist M-Z

Artists collected M-Z
Collaborative works
Tullis Artists Archives.
Studio photos © Richard Tullis

David Reed wasted more paint than any other artist encountered up until this point. The sheer cost of premium artist oil color turned into grey was obscene to Richard. The prints on the other hand were exquisite. Photo © 1989 Richard Tullis

Directomat 800 ton hydraulic platen press, workhorse of Atelier Richard Tullis.

New York also had a Lake Erie Directomat hydraulic press.

Sam Messer transversing the length of the Wagner offset press while making adjustments to huge monoprints. Photo © 1989 Richard Tullis

John Millei putting the final touches on his woodcut monoprint with the not so subtile embossed "fucker". Photo: © 1996 Richard Tullis

The 1000 ton monster Garner had built for the New York studio. Photo: © 1988 Richard Tullis

This little workhorse made many of the prints that funded the New York studio. Photo: © 1985 Richard Tullis

Lake Erie Directomat hydraulic press embossed plenty of tullis sb hadmade paper 24"x32" and smaller. Photo: © 1985 Richard Tullis

The Old Sash Mill, Santa Cruz, California. home to the International Institute of Experimental Printmaking, it'w where Richard Tullis got his first taste of the art business under the tutelage of Garner Tullis and Ann McLaughlin. Garner Tullis teaching his son to make paper in an old hollander beater. Richard spent many hours cutting up old cotton sheets for the paper made. Photographer: unknown c. 1974

Therese Oulton making hr meticulous marks. Photo: © 1988 Richard Tullis

Beverly Pepper showing of her new monumental prints. Photo: © 1985 Richard Tullis

Arnaldo Pomodoro and Garner Tullis met at Stanford University in the early sixites when Garner built a bronze foundry in redwood city and was moonlighting at Cal Berkeley with Peter Voulkos.
Photo: © 1980 Richard Tullis

Lucas Reiner was one of the last projects Richard did in the Santa Barbara studio. Photo: © 2006 Richard Tullis

Carol Robertson working on her precise geometric painting in 2000 at Atelier Richard Tullis

Lake Erie smasher NYC. Photo: © 1989 Richard Tullis

David Row micro managing his plate placement before the big roller presses that image into the paper. Photo: © 1990 Richard Tullis

Santa Barbara handmade paper in NYC. Photo: © 1989 Richard Tullis

Italo Scanga was quite a charismatic character to work with and certainly to photograph. Photo: © 1985 Richard Tullis

Moving day into 10 White St. Photo: © 1989 Richard Tullis

Emanuele Cacciatore holding steady while Sean Scully assaults his plate with a karate kick, cancelled. Photo: © 1987 Richard Tullis

Carol Seborovski making marks in Santa Barbara. Photo: © 1989 Richard Tullis

Garner's fascination with old techniques brought to artist in a new way continued with his encaustic painting adventure. Photo: © Richard Tullis

Richard Smith and Ann McLaughlin working on cast colored paper paintings 1981. Photo: © 1981 Richard Tullis

Sique and Andy Spence working hard to make as many prints as possible in 1989. Photo: © 1989 Richard Tullis

Clinton Storm was on an existential journey while making huge monoprints in 1990 before he left New York for Berlin. Photo: © 1989 Richard Tullis

Nicole Strasburg painting her woodcut Underpass series in 2001. Photo: © 2001 Richard Tullis

Trevor Sutton paints with precision on jeweler made copper plates during his 1987 session of monoprinting. Photo: © 1997 Richard Tullis

Jeffrey Warda moving wet had cast paper sheets onto drying tables in the Santa Barbara Tullis Studio. Photo: © Richard Tullis

Joan Tanner ever the unconventional actor in the studio, insisted on not using the presses in her last project in the Santa Barbara Tullis studio 2004. Photo: © 2004 Richard Tullis

William Tucker making monotypes at the Tullis Big Press in Emeryville, Ca. Photo: © 1985 Richard Tullis

Tullis, Garner

Garner Tullis teaching Richard Tullis about paper maceration 1973. Photo: 1973 photographer unknown

Garner Tullis and Emilio Vedova collaborating. Photo: © 1989 Richard Tullis

SB 800 ton Secret. Photo: © Richard Tullis

The NYC press at Tullis Studio had heated plattens leading to interesting new ideas. Photo: © 1989 Richard Tullis

Wiley, William T

Verity, Charlotte

Peter Voulkos working on the Tullis Big Press in Emeryville California after hours 1985. Photo: © 1985 Richard Tullis

John Walker slathering on the paint for the next run through the Tullis press in Santa Barbara 1987. Photo: © 1987 Richard Tullis

There wouldn't have been such a robust with out Jeffery Warda working for the Tullis studio. Thanks Jeff. Photo: © Richard Tullis

Lake Erie in NYC 1989. Photo: © 1989
Richard Tullis

Ronnie Wood checking out his recently pulled prints of Chuck Berry at Experimental Printmaking, San Francisco 1980's. Photo © 1980's Richard Tullis

That old Lake Erie crushing feeling 1989. Photo: 1989 Richard Tullis

Ann McLaughlin, Wilbert Foo and Joe Zucker work on his cast paper pieces in the early 1980's at Experimental Printmaking. Photo: © 1980's Richard Tullis

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