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Recently I’ve been investigating transciency, dislocation and fragmentation as a way to structure the unfolding of sight as it is brought to awareness. Through the interpenetration of painting and photography I hope to create a state of perpetual becoming yet paradoxically dissolving; an endless procession of moments held in time and space and embodied in the art object. This corresponds with an awareness that is the mutual exchange between the interior dimensions of the self and the outer world of physical phenomenon. The dimension that is held is not one without the other, but rather the simultaneous conscious awareness of both. This awareness then becomes the vehicle for the exploration of human depth; spiritual, psychological and physical.
Ron Janowich has had over 20 one-person and 60 group exhibitions internationally. His work is in the collection of the Metropolitan Museum of Art, New York, NY; Tate Gallery, London, U.K.; Cleveland Museum of Art, OH; and numerous private collections. His work is published in various books including History of Modern Art by Arnason H.H., The Aesthete in the City by David Carrier, Beyond Piety by Jeremy Gilbert Rolfe, and Art Speak by Robert Atkins. His work has been reviewed in magazines including Artforum, Arts, Art in America, and Tema Celeste. He is the recipient of two National Endowment for the Arts Individual Artist Fellowships in Painting (1976, 1989).