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Eva Castiel was born in 1944 and was largely influenced creatively by the 1960s. Historically set in the context of the Cold War, the 1960s represent an extremely powerful era which engendered an important number of breaks and challenged the order of all things. In Europe, The Iron Curtain and the Berlin wall would permanently mark people and beliefs, while in the U.S, events such as the Cuban missile crisis and Vietnam war would forever impact generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society ensued, with revolutionary philosophies and movements evolving in a cradle of inventiveness. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly composed of polished, pure lines and geometrical elements. Exploring further into some of the concepts inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with a fundamentally ruled-based approach, emptied of any emotional features. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily seduced by the ideas of Existentialism, who achieved worldwide fame through their depiction of the human form and the lament often linked to the human condition. globally, a significant number of art movements resonated with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.